WOMEN EATING MONSTERS ESCAPE FROM A SECRET LAB AND GO ON A KILLING SPREE! A HUNTER IS TASKED WITH LOCATING AND STOPPING THEM! BUT WILL HE BE ABLE TO SAVE ANY OF THE WOMEN WHO FACE THESE HORRIBLE CREATURES? OR WILL HE JUST BECOME ANOTHER VICTIM?

Jules (Alice May Connolly) is on a New Year's Eve trip with her new boyfriend and his two stoner friends in the wops of North Canterbury when they stumble across a long-abandoned stash in an old shed. After a quick session and an accidental murder, the marijuana turns them into enthusiastic cannibals. To cover the evidence of their murder, they decide to keep toking so they can devour the body. What will happen when the meat runs out? Who will be the next victim? 　　The Weed Eaters is another entry into the beloved kiwi horror comedy canon. Shot on a deceptively low budget raised through crowdfunding and featuring appearances from Delaney Davidson, The Bats’ Paul Kean and comedian David Correos playing it straight. For a film about cannibalism, subtle effects keep the goriness to a minimum, so it’s even safe for all but the most squeamish. As with the best horror flicks, the true terror comes in the form of paranoia and growing mistrust between friends and as with many other gruesome faves it is not without social commentary as it explores New Zealand's relationship with drugs and how it affects friendships. — Jordan Salomen

From the team that brought you Hot Ones comes HEAT EATERS, the ultimate spicy food adventure where our host, chef Esther Choi, hits the streets to eat her way through the world's spiciest cuisines.

From the team that brought you Hot Ones comes HEAT EATERS, the ultimate spicy food adventure where our host, chef Esther Choi, hits the streets to eat her way through the world's spiciest cuisines.

A group of friends who discover a drug called Ghost, which allows them to see the dead. But Ghost has unfathomable side effects, and as the book jacket says, once you take it, you can never go back.

The story centers on a group of gossipy, high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily-wedded Mary Haines finds her marriage in trouble when shop girl Crystal Allen gets her hooks into Mary's man.

It's 1910 and we're in Banbury church hall at the Banbury Intricate Craft Circle. Margaret has been to London and discovered the Women's Suffrage movement so she decides they need to set up their own movement and The Banbury Intricate Craft Circle becomes the hilariously ineffectual Banbury Intricate Craft Circle politely request women's Suffrage. Gwen is the only member who actually enjoys the craft element of the meetings, while Helen thinks that craft is a little unnecessary, but she's not interested in women's rights: "What on earth do women need a vote for? My husband votes for who I tell him to vote for. What could be a better system than that?"

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

A group of women assess the contents of social media profiles submitted by viewers.